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PagArtFestival founded on Croatian island of Pag by Lovro Pogorelic dedicated to classical music
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PagArtFestival was founded in 1999 and it has already become a tradition to have it opened by Lovro Pogorelić's recital. Lovro Pogorelić, Croatian pianist, traces his origin to Pag, and the Festival originated out of his wish to help and dignify life of the town of Pag by meaningful companionship of quality through various projects. The town of Pag is a small renaissance town made of stone, a zoning unicum well known
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Srdjan Bulat to perform in Yerevan, Armenia July 2016
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The young guitarist from the city of Split and graduate from the Royal Academy in London, Srdjan Bulat, will hold a cycle of chamber recitals in the capital city of Armenia, Yerevan. As part of the Hassfest guitar festival July 4-9, 2016, he will hold a solo recital, in which he will perform works from Spanish, Armenian and Croatian composers, thus contributing to this first joint festival of music and visual art which will be attended by
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Dvigrad Festival 2016 offering a rich program of Renaissance and Early Baroque music
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The Dvigrad Festival has been conceived by Alojzije Prosoli and his Musica Sacra / Sveta glazba society, along with numerous collaborators. This year, among distinguished soloists and players, the Festival will host Mario Penzar, Jelena Čilaš, Josue Melendez, Sarah Louise Ridy, Diego Leverić, Tin Cugelj, Martina Klarić, Augustin Mršić, Ema Stein, Ana Jembrek, Anna Waszak, Edmund Andler-Borić, Silvio Richter, Darko S
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17th Dance & Non-Verbal Theatre Festival in Svetvinčenat July 22-25 2016
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Save the date! The 17th Dance & Non-verbal Theatre Festival Svetvinčenat (San Vincenti) will take place from July 22th to July 25th. 2016. We are preparing the program with a lot of dance treats from around Europe and Croatia!
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Croatian Vocal Group Roots / Vokalna skupina Korijeni from Chicago, USA
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Croatian Vocal Group Korijeni (i.e., Roots) is a non-profit traditional Croatian folk singing group. The group focuses on singing traditional a capella songs in 3 to 4 part harmony. The United Nations Educational, Scientific and Cultural Organization (UNESCO) has recognized several forms of Croatian singing: Klapa, Bečarac, Ojkanje, Istrian 2-part singing. Vokalna Skupina Korijeni intends to perpetuate traditional forms o
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Yoko Nishii's humanitarian concert in Zagreb during the Japanese Culture Week in March 2016
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This humanitarian concert of Yoko Nishii, Japan, has been organized by the Embassy of Japan in Zagreb in cooperation with Croatian Society for Training Guide Dogs and for Mobility. She played the works by Johann Sebastian Bach, Franz Liszt i Ferrucci Busonij, Frédéric Chopin, Eric Satie, Dora Pejačević, Kozaburo Hirai, Kosaku Yamada i Tooru Takemitsu. In Tokyo in 2015, she published the first CD in the world, which includ
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The 3rd International Flute Summer Academy in Karlovac, Croatia July 3-10th 2016
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The Croatia Flute Academy is an international flute summer course, which presents a week full of intensive workshops, flute-clinics, seminars, shows, masterclasses, concerts, 1-1 Lessons, round-tables & ensemble-rehearsals. Flutists of all ages and levels are welcome to apply for a place. It will also feature guest professors from all over the world including Pierre-Yves Artaud (left) of France.
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Miro Gavran's comedy premiered in Lithuania's capital Vilnius on 10 March 20016
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Miro Gavran's comedy "Henpecked Husbands" had its premiere in popular theater Domino in Vilnius, Lithuania, on March 10th. Director is Kostas Smoriginas, main roles are performed by Edita Užaite, Ineta Stasiulyte, Eimutis Kvoščiauskas, Mantas Vaitiekunas, Andrius Bialobžeskis, Evaldas Jaras and Sandra Daukšaite-Petrulene. The works of Miro Gavran have been translated into 38 languages. His books had over 200 edit
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Trio LUR from Zagreb consisting of flutist Lucija Petrac, organist Ursa Vukman and soprano Rea Alaburic
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Trio LUR was formed at the Zagreb Music Academy in 2011. The three students have found their common ground in the Baroque era, and have continued their musical collaboration and friendship in the exploration of the later musical periods. Their repertoire is based on the compositions that were intended to be performed by the flute, the voice and the organ or the harpsichord, written by Vivaldi, Purcell, Händel,
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