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» (E) Croatian tenor - A Star Is Born in Berlin
By Nenad N. Bach | Published 03/4/2002 | Culture And Arts | Unrated
 
Subj:Kresimir Spicer (pronounced Shpitzer! 
 
 
Dolje je kompletni tekst MusAm clanka reproduciranog na WQXR.com 
oznacio sam s --> djelove koji se odnose na Spicera i njegov skorasnji 
nastup u Brooklynu, ako zelite skratiti ili izostaviti oatatak, iako je 
opis Olge BorodinA (accEnt on the last syllAble!) i Dominga zabavan (i 
poucan? - sugestije za skracenje i izostavljanje oznacene s (~ / ~) 
 
Classical News from Musical America.com 
Daily stories from the business source for the performing arts. 
 
            A Star Is Born in Berlin 
            by Paul Moor, MusicalAmerica.com 
            Wednesday, February 6th 2002 
 
            BERLIN -- Since Kent Nagano took over the leadership of the 
Deutsches Symphonie-Orchester, Berliners have grown accustomed to some 
fairly extravagant ideas of programming, but this week must have set some 
kind of record. 
 
            Monday's night's began with Luciano Berio's 1968 realization of 
Claudio Monteverdi's 1624 cantata "Il combattimento di Tancredi e Clorinda" 
(The Conflict Between Tancred and Clorinda). After that came a 40-year-old 
echo of that unmissed aberrational phase of Europe's musical avant-garde 
that called itself "instrumental theater," György Ligeti's "Aventures." 
Only after the intermission did the part come that had justified the 
concert's billing as "gala": a concert performance of Act 2 of Camille 
St.-Saėns's opera "Samson et Dalila," flaunting two of today's stellar 
vocalists, Olga Borodina and Plįcido Domingo. 
 
            (~Even at gala prices, a capacity audience packed Berlin's 
Philharmonie; in fact, the gauntlet of hopefuls pleading for tickets one 
had to run began a full block away from the entrance.~) One Berlin critic 
evidently kept an eye on his watch during the evening; by his reckoning the 
entire concert lasted only 90 minutes, with much of the St.-Saėns segment 
devoted to the harangue between Delilah and the High Priest (Sergei 
Leiferkus, first-rate), leading into that critic's grumpy question "Ten 
minutes of Plįcido Domingo for 125 Euros?" (roughly $100). 
 
            Both Borodina and Domingo did indeed treat us to some memorably 
fine vocalism - with Domingo sounding every bit as wonderful as he ever 
has, something of a miracle at the age of 60, but for not me alone the 
-->evening's vocal highpoint, in fact a revelation, came when a young 
Croatian tenor with the improbable name of Kresimir Spicer (:KrEshimir 
ShpItzer, u fonetskom originalu S sa `kvacicom'!) provided the first part's 
high point as the narrator in the Monteverdi; during the intermission, an 
enthusiastic little crowd of Berlin's musical sophisticates surrounded him 
in the Philharmoniker's backstage buffet crying for information about this 
vocal discovery. More about Spicer in a moment. 
 
            First, the shortest of shrift for the Ligeti abomination. The 
so[u!]briquet "instrumental theater" (think first and foremost the rather 
cumbersome high jinks perpetrated by Mauricio Kagel) applied to 
instrumental works that required the performers to horse around in one 
extra-musical way or another, to no apparent purpose. In 1962 it pleased 
Ligeti to perpetrate a work for two sopranos and one baritone in an 
invented nonsense language he called "asemantic." Their particular horsing 
around toward one another supposedly conveys such emotions as anxiety, 
boasting, foolishness, and so on. 
 
            Uncertain audience titters rewarded, for instance, the 
percussionist's using a carpet-beater the size of a tennis racket to wallop 
a sort of miniature mattress beneath it, or pop an inflated paper bag, or 
when the three long-suffering but impressively capable singers (Sarah 
Leonard, Linda Hirst, and Omar Ebrahim) pinched their nostrils closed to 
produce an unattractive nasality, or when they picked up small megaphones 
from the floor and bellowed through them into the auditorium. I had heard 
about "Aventures" sporadically ever since its world premiere, but until 
this week my luck had held out against actually encountering such rubbish. 
 
            During rehearsals for this concert, Nagano had reported things 
"going really well" with "quite a chemistry between Domingo, Borodina, and 
the orchestra," but conceivably those rehearsals took place in the DSO's 
stageless rehearsal room and not on the stage of the Philharmonie. At the 
concert, things went logistically wrong from the start of the St.-Saėns, 
for instead of a strictly concert performance, the performers decided to 
incorporate a modicum of physical histrionics - and when you turn two such 
impressively endowed and experienced singing hams loose with no control 
whatever to rein them in, musical disaster automatically threatens. 
 
            At the worst moments Monday evening, it didn't only threaten. 
Leiferkus's segments provided him scant opportunity to spread himself, but 
Borodina almost immediately turned into the very model of an old-fashioned 
primissima donna of the most self-indulgent sort. Unabashedly, arrogantly, 
almost contemptuously, she ever more and more ostentatiously turned her 
back completely towards Nagano - and any opera's conductor must always 
remain in control musically. 
 
            Poor Nagano could only pivot back and forth on the podium, 
sometimes looking almost pleadingly at the singers behind him, hopefully 
trying to catch an eye at least occasionally, usually with no success 
whatever. As a result, Borodina and Domingo mostly did what singers 
unfortunately will, given half a chance; they indulged themselves in the 
most narcissistic, self-serving manner of performance imaginable. We did 
indeed hear great, surging billows of glorious vocalism - but music? In 
spite of Nagano's valiant exertions, music to a large extent simply went 
down the drain. 
 
            But let's get back to the -->truly musical highlight of the 
evening. Note the name - write it down, memorize it - of Kresimir Spicer, 
for me the most exciting vocal discovery since Thomas Quasthoff exploded 
into my ken five or six years ago. Artists' program biographies tend to 
vaunt, but Spicer's perceptibly does its best to inflate such things as he 
has done to date. Little wonder, since he gives his age at merely 25! 
 
            Born in Slavonski Brod, he studied in Zagreb and Amsterdam, 
where he settled - and even while still a student he appeared in 
professional productions there of "Don Carlo" and "Gianni Schicchi." Last 
June he first attracted major international attention at the 
Aix-en-Provence Festival when William Christie cast him as Ulysses in 
Monteverdi's opera with Christie's splendid ensemble Les Arts Florissants, 
with Marijana Mijanovic singing opposite him. 
 
            Gaėtan Naulleau wrote in "Le Monde" on June 13: "The eve of the 
premiere, nobody knew Marijana Mijanovic (Penelope) and her companion 
Kresimir Spicer (Ulysses). The next day, their names drew moved smiles upon 
all the lips of the people in Aix plus enthusiastic babbling." -->Residents 
of greater New York may anticipate a similar experience when the 
-->Brooklyn Academy of Music imports that production intact for the -->week 
beginning April 7. 
 
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» (H,E) Croatian, first European ever, second on the chart
By Nenad N. Bach | Published 03/3/2002 | Sports | Unrated
 
Table Tennis world list has Tamara Boros from Croatia in the second place. 
First european ever. 
 
1. Wang Nan (China) 2354 
2. TAMARA BOROS (Croatia) 2084 
3. Zhang Yining (China) 2053 
4. Li Nan (China) 1995 
5. Li Ju (China) 1988 
 
 
ZAGREB, 1. ozujka - Upitan sjeca li se kada je posljednji puta neka europska igracica bila na drugom mjestu svjetske stolnoteniske ljestvice, ITTF-ov direktor natjecanja Zlatko Cordas nije dugo razmisljao: 
- Koliko je znam - nikad! Barem ne otkad imamo kompjutorsku rang-listu. Bile su tako visoko neke Rumunjke 50-ih godina proslog stoljeca, no onda jos nije bilo Kineskinja. 
Koliko god se to nevjerojatnim cinilo, Tamara Boros je, dakle, prva Europljanka u povijesti koja se popela do drugog mjesta na slu¾benoj ljestvici Svjetske stolnoteniske federacije. Iako su svojedobno »drmale« europskim stolnim tenisom, Csilla Batorfi, Bettine Vriesekoop, Otilia Badescu ili Nicole Struse nisu se nikad pored bezbrojnih Azijatkinja uspjele probiti tako visoko na svjetskoj rang-listi. Kada je 1998. na »velika vrata« u stolni tenis u¹la Tamara Boro¹ (osvojila srebro na Europskom prvenstvu u Eindhovenu) situacija je za Europljanke bila poprilično bezizgledna: nije ih bilo mešu prvih 15 na svijetu. Tada su se »donkihotovskog« posla i »nemoguęe misije« prihvatili Tamara i njezin trener Neven Cegnar. U siječnju 1999. Boro¹ je bila 16. na svijetu, iza 15 Kineskinja, u siječnju 2000. bila je na 10. mjestu, iza 9 Kineskinja, da bi početkom 2001. stigla do 7. mjesta svjetske ljestvice, naravno, iza 6 Kineskinja. 
Sada je ispred Tamare Boro¹ jo¹ samo Kineskinja Wang Nan, koja je sinonim za trenutačno najveęu dominaciju u svjetskom sportu. U posljednjih godinu dana se, naime, pokazalo da nepobjedivi nisu ni Marion Jones, ni Ian Thorpe, ni Tiger Woods.., nitko osim Wang Nan. Olimpijska i svjetska prvakinja je, zapravo, u naizgled izgubljenim situacijama bila samo u mečevima protiv Tamare Boro¹. Na nedavnom se »mastersu« čak činilo da ju Tamara »ima« (7-4 u odlučujuęem setu), no Wang se ponovno provukla. Nema nikakve sumnje da ęe se cijeli ¾enski stolni tenis iduęih godina vrtjeti oko njihovih dvoboja. 
Za one, pak, kojima se čini da se aktualno »ukazanje« Tamare Boro¹ na drugom mjestu svjetske ljestvice pretjerano glorificira, jo¹ jedan bitan podatak. Samo u Kini je registrirano 50 milijuna stolnotenisačica, a Tamara je, trenutačno, ispred njih 49.999.999. Naravno, i ispred nekoliko milijuna Korejki, Japanki, Mašarica, Ruskinja, Rumunjki... 
• Svjetska stolnoteniska ljestvica 1. o¾ujka 2002: 1. Wang Nan (Kina) 2354 boda, 2. TAMARA BOROS (HRV) 2084, 3. Zhang Yining (Kina) 2053, 4. Li Nan (Kina) 1995, 5. Li Ju (Kina) 1988, 6. Ryu Ji Hye (Kor) 1981, 7. Niu Jianfeng (Kina) 1937, 8. Mihaela Steff (Rum) 1900, 9. Guo Yan (Kina) 1884, 10. Chen Jing (Tpe) 1883... 
 
Marin Sarec 
 
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» (E) WORLD INCREASINGLY RECOGNISES - by Z. SEPAROVIC
By Nenad N. Bach | Published 03/3/2002 | Politics | Unrated
 
WORLD INCREASINGLY RECOGNISES MISERABLE SITUATION OF TRIBUNAL SEPAROVIC 
 
ZAGREB, March 2 (Hina) - President of the Croatian Victimology 
Society, Zvonimir Separovic, said on Saturday that the world 
increasingly recognised the "miserable situation" of the Hague 
tribunal, and called on the Croatian government to review its 
relations with the war crimes tribunal. 
 
   Separovic said even Patricia Wald, a former judge of the tribunal, 
had warned about the slowness and lack of professionalism of the 
court, adding that those who surrendered should be freed until the 
start of the trial. 
 
   He called on the Croatian parliament to open a discussion on 
cooperation with the Hague tribunal, to protect the human rights 
and dignity of, as he put it, Croatia's Homeland Defence War hero, 
General Ante Gotovina. 
 
   "In the light of new world analyses, the government should review 
Gotovina's indictment before Croatian courts, so he could return to 
his family and life in freedom," Separovic stressed. 
 
   He asked of the government to also cease any further irrational 
cooperation with The Hague, and to worry about its own national 
interests. 
 
  He also called on the Constitutional Court to cease the silence 
about requests filed before it to review the constitutionality of 
the law on cooperation with the international war crimes tribunal 
and to reach a verdict on the issue. 
 
 
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» (H) Hrvatsko slovo
By Nenad N. Bach | Published 03/3/2002 | Miscellaneous | Unrated
 
O VASOJ PRETPLATI ILI POTPORI OVISI BUDUCNOST HRVATSKOGA SLOVA 
 
Uplate doznaciti na ziro-racun: 
HKZ-HRVATSKO SLOVO d.o.o. 
30102-603-38253 
 
Devizne uplate moguce u svim nacionalnim valutama na devizni racun: 
HKZ-HRVATSKO SLOVO d.o.o. 
2500-9982800-575186 
PRIVREDNA BANKA d.d., ZAGREB 
HKZ-Hrvatsko slovo d.o.o. 
Zagreb, Pod zidom 8/IV 
http://www.hkz.hr hkz@zg.hinet.hr 
Svakoga petka HRVATSKO SLOVO uvijek za Hrvatsku! 
  
  
Thank you! 
Canadian-Croatian Congress K.H.K. 
NGO Member of the United Nations 
http://www.crocc.org 
 
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» (E) Free research for Croatian roots
By Nenad N. Bach | Published 03/3/2002 | Miscellaneous | Unrated
 
FYI, The CFU newspaper "Zajednicar" issue of 2/27/02 Vol. 97/ No. 9 printed an article in Croatian language how second, third and fourth generation of Croatians are seeking their roots in Croatia. Its a long article but here is the summary: There are two people who are helping do research FREE of charge. One is Robert Jerin from Cleveland, OH. The Zajednicar did not print his e-mail or telephone number. You will need to call info. The other main is Andelo Zgorelec, living in England and can be reached via Visit-Croatia.com 
 
Zgorelec is urging the main Croatian newspaper in Croatia to assign a full time reporter who would help and be in-between. With Croatia having 29% unemployment, disastrous economy, etc. connections all over the world could only help. 
 
Apparently, Mormons have all Croatian names on the Internet. 
Croatian churches have books available for the last 250 years. Those have to be searched manually. 
 
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» (E) Bush and tribunal in Wall Street Journal
By Nenad N. Bach | Published 03/3/2002 | Media Watch | Unrated
 
Bush Seeks To Rein In U.N. Courts 
 
U.S. Wants Timetable To Close Tribunals, Citing Some Abuses 
 
By Jess BRAVIN 
Staff Reporter of THE WALL STREET JOURNAL 
 
WASHINGTON-The Bush administration is seeking a firm timetable for shutting 
down United Nations war crimes tribunals, saying they have been marred by 
instances of mismanagement and abuse that "challenge the integrity of the 
process." 
One U.N. court is trying Slobodan Milosevic and other alleged Yugoslav war 
criminals, and another alleged Rwandan war criminals. The U.S. wants future 
prosecutions handled by each country's own domestic justice system, as soon 
as current high-profile cases are completed. 
That view will be detailed today when the administration's top war-crimes 
official testifies before a House committee hearing on the tribunals. The 
U.S. position has escalated a conflict with its major allies, which favor 
expanding the reach of international tribunals; they plan to expand the U.N. 
's reach by replacing the ad hoc panels with a permanent International 
Criminal Court for war crimes. 
The divide existed before Sept. 11; Washington traditionally has resisted 
international institutions that potentially might try to exercise 
jurisdiction over the U.S. 
But the difference has grown sharper following the terrorist attacks, with 
the U.S. vigorously opposing any move that suggests -as some European 
leaders have-that alleged perpetrators of international terrorism would best 
be tried by international panels rather than in U.S. courts. 
"We want to bring ownership of the process back to the people, .because that 
is the only way the rule of law will become truly ingrained in a society," 
said Pierre-Richard. Prosper, the U.S. ambassador at large for war-crimes 
issues. The U.S., he said, is prepared "to provide economic. technical, 
legal and logistical support," to help improve domestic court systems, but 
the amount has yet to be decided. Mr. Prosper is expected to testify today 
before the House International Relations Committee. 
While the current tribunals have done some good work, he said-and together 
have indicted 193 suspects- "we don't want to create an environment where 
there is a dependency on international institutions." 
European officials said they don't understand why the Bush administration 
is raising the rhetoric in the midst of the most notorious case since 
Nuremburg: the trial of Mr. Milosevic for crimes against humanity while 
serving as Serbia's president in the 1990s. 
 
"Undermining the credibility of the U.N. tribunal when we are at the 
pinnacle of its accomplishment is suicidal," said a European diplomat. 
In November, the war crimes prosecutor, Carla del Ponte, told the U.N. 
Security Council that she hoped to wrap up trials by 2007. But the Bush 
administration believes that date can never be met if Ms. Ponte pursues 
dozens of new investigations involving 150 additional suspects that she also 
told the Security Council she intended to pursue. 
"We want her to focus on the leaden. the architects, the kingpins" of 
genocide, Mr. Prosper said, while prosecutions of "mid and lower level 
players" should be delegated to national courts. 
The turning point for U.S. officials may come if the two most wanted 
fugitives, Radovan Karadzic and Ratko Mladic, are turned over to the 
tribunal. The two former Bosnian Serb leaders have been indicted on genocide 
charges for the killings of Bosnian Muslims In the mid 1990s. 
The Rwanda and Yugoslavia tribunals have moved too slowly, and have "been 
too removed from everyday experiences of the people and the victims," Mr. 
Prosper said. They have been costly, with annual budgets of $100 million 
each, and have faced questions about "the integrity of the process," he 
said. Earlier this month. the Rwanda tribunal dismissed a defense attorney, 
after allegations he inflated his bills and split his fees with a defendant. 
Similar problems have "plagued both tribunals," Mr. Prosper said. 
While there have been problems, "people should keep in mind that the NATO 
countries spent in one year [of military operations in Yugoslavia, 1999, the 
equivalent of 200 years of the Yugoslav tribunal budget," said William Pace, 
who heads the Coalition for an International Criminal Court, an advocacy 
group that supports U.N. tribunals for war crimes. 
The remedy advocated by the Bush administration is strengthening the 
domestic justice system in Rwanda, Yugoslavia and other countries. In 
Yugoslavia, that means building up conventional courts, while in Rwanda the 
approach may involve using the country's traditional "gacaca" system, with 
tribal elders dispensing justice to lower level perpetrators. "The penalty 
may he, 'Now you need to give two cows, or you need to farm the land of 
these people,' " said Mr. Prosper, a former assistant U.S. attorn ey who 
himself led a successful prosecution for genocide at the Rwanda tribunal in 
1998. 
But most EU and North Atlantic Treaty Organization members are movingin the 
opposite direction, by establishing the International Criminal Court. The 
ICe treaty-signed by President Clinton in the last weeks of his term but 
never sent to the Senate for approval - has been ratified by 52 countries. 
including Britain, Canada and Germany. Should eight more follow, as 
proportents expect this year. the ICC will begin operation in The Hague, 
where Rwanda and Yugoslavia tribunals are based. 
 
 
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» (E) Story Re Reporter Killed in 1991 in Croatia
By Nenad N. Bach | Published 03/2/2002 | News | Unrated
 
The following appeared in the Cincinnati Enquirer. The story with photos 
can be seen at 
 
http://enquirer.com/editions/2002/02/12/tem_poem_foretold.html 
 
Poem foretold reporter's death in Croatia 
 
--------------------------------------------- 
 
'And your name, too, will be killed tomorrow' 
 
'To the reporter' 
 
Take as many notes and shots as you can, 
my friend. 
But do not report to the world that only 
a number was killed. 
In the golden fields of Slavonia. 
 
As no number has any given name or 
any taken future. 
Do report to the world that 
it was Johann and William 
and Victor and Francesco 
That was killed 
in the heart of Slavonia 
And that Gabriel and Gyorgy 
and your name, too 
Will be killed tomorrow 
 
Take as many notes and shots as you can, 
my friend. 
But do not report to the world that only 
a number was killed. 
In the bleeding fields of Slavonia. 
-- Anonymous 
 
 
By Rosemary Goudreau 
The Cincinnati Enquirer 
 
His picture hangs by my desk, the portrait of a 40-something newspaperman 
with graying hair and wire-rim glasses, smiling as I remember him a decade ago. 
 
Egon Scotland. 
 
        So, too, is a copy of the poem found in his pocket a year later, 
after he was ambushed and killed by Serbian guerrillas in the early days of 
the conflict in Croatia. 
 
        The poem was written in English on an old manual typewriter that 
needed a new ribbon. Titled To the Reporter, the poem called on my friend to 
tell the world that it wasn't just a number killed in the bleeding fields of 
Slavonia. 
 
        Report to the world that 
       it was Johann and William, 
       and Victor and Francesco, 
       That was killed 
       in the heart of Slavonia. 
       "And that Gabriel and Gyorgy, 
       and your name, too, 
       will be killed tomorrow. 
 
        My friend Egon Scotland, a reporter for the Munich-based newspaper 
Suddeutsche Zeitung, died doing what reporters do - telling the world what's 
going on so that people can make informed decisions about their governments 
and their lives. 
 
        Egon (pronounced A-gon) died nine months after I last saw him in 
Washington, D.C. He and his wife Christiane had just driven in from 
California, where we'd spent a year together in a journalism fellowship 
program at Stanford University. 
 
        Egon had driven the back roads across the country, following parts 
of Route 66. Unlike most times we saw one another, he had no car stories to 
tell, probably because he'd rented a car. The year of our fellowship, Egon 
bought a beast of a Buick for $600 and it seemed he spent as much time 
alongside the road, as on the road. 
 
        We were among 18 journalists in the John S. Knight fellowship class 
of 1989-90. Twelve of us came from the United States, eight from other 
countries. 
 
        From the day we met, it was clear my foreign colleagues lived a much 
different life. Sitting in a circle that first day, we took turns 
introducing ourselves. 
 
        There was Joanna Szczesna from Poland, who spoke a broken English 
she'd learned in prison. Joanna was jailed by Polish authorities for writing 
articles about Lech Walesa's upstart Solidarity Movement. Police repeatedly 
raided her apartment, but Joanna was clever. She hid her notes in the wall 
or sometimes in her baby's diaper. 
 
        There was Rafael Santos, the managing editor of El Tiempo in Bogota, 
Colombia. Raphael told us he had three bodyguards just in case one was 
bought off. He carried a gun and took a different route to work each day. 
Raphael couldn't find someone willing to sell him life insurance. The year 
of our fellowship, his brother Francisco was kidnapped by Pablo Escobar's 
Medellin Cartel. Unlike so many other influential people kidnapped in 
Colombia, Francisco survived. Noted author Gabriel Garcia Marquez later 
wrote a book aboutFrancisco's captivity. 
 
        And there was Sun Yi, an economics reporter from China. Sun Yi lived 
around the corner from Tiananmen Square, where the pro-democracy student 
movement had been beaten down only four months earlier. Sun Yi didn't want 
to talk about what happened and never did. She spoke little English, but was 
quite comfortable with the word "no." She used it frequently. "Want to drive 
to the coast, Sun Yi?" "No." I'm not sure she always understood the 
question, but she knew her stock answer would keep her from trouble. 
 
        The lives of my foreign colleagues looked nothing like mine, a fact 
I'm reminded of as we await news of Wall Street Journal reporter Daniel 
Pearl, kidnapped while reporting a story in Pakistan. 
 
        At the time of the fellowship, I was the medical writer for The 
Miami Herald and the worst threats I'd ever faced were a screaming doctor, a 
woman who spit on me and a few people who promised lawsuits but never filed 
them. 
 
        Egon was a serious student the year we called - and feared would 
remain - the best of our lives. 
 
        A German native, he was a spiritual soul who liked the woods. He 
designed and sewed the vest he so often wore. He studied Balkan history and 
the Serbo-Croatian language, knowing he wanted to go to the region when the 
year ended. I remember watching television with him when the Berlin Wall 
fell. It was tough for this seasoned political journalist, so well known by 
members of the Bavarian parliament, to be away from home at such a momentous 
time. 
 
         When he returned to Germany, Egon wrote us that "the safety of 
seclusion has gone on both sides of the Iron Curtain. A major part of the 
political discourse now is discoveries - who, in the past, was whose spy, 
agent or secret ally." 
 
        Shortly after that, with Communism crumbling in Eastern Europe, Egon 
was sent to Croatia, which was one of the first Yugoslav republics to break 
from the Serbian-dominated central government in Belgrade. The ethnic 
conflict later spread to Bosnia-Herzegovina and Kosovo. 
 
        "His reports showed an understanding of the region and its history 
that few other correspondents could match," wrote classmate Kathryn Tolbert, 
a Washington Post reporter who visited Christiane in the weeks after Egon's 
death. 
 
        "He was in Turkey and Lebanon and Jordan and in the Kurdish refugee 
camps in Iraq, an experience that aged him, Christiane said. But he had 
become a star at the newspaper." 
 
        Egon hadn't wanted to go to Yugoslavia. He was tired and had been 
traveling constantly. "But he would not turn down a request from his 
newspaper. The paper asked several other reporters and then came back to 
Egon. So he went," Kathy wrote us. 
 
        The night before he died, Egon called Christiane around midnight, as 
always. They didn't talk long because he was due home two days later. Egon 
was tired, having spent a month in the region. He would have been home 
already, but his newspaper asked him to stay just a couple of days longer. 
 
        The next day, Friday, July 26, 1991, terror broke out. 
 
        The New York Times reported that Serbian nationalists, who 
outnumbered the Croats with whom they'd lived peacefully during the Cold 
War, began rounding up their neighbors to use as human shields for a 
methodical march of death. Times reporter Stephen Engelberg filed his report 
from Sisak, in the region of Slavonia, about 15 miles from where Egon died. 
 
        The report said that Serbs pulled people from their homes that 
weekend and used them to create "a human wall" as they marched forward, 
steadily firing a heavy machine gun mounted atop a truck. The assault was 
part of a broad offensive to push Croats from their villages and create a 
pure-blood Serbian state. 
 
        "Police defenders were reportedly paralyzed by the sight of their 
families held hostage and did not return fire," Stephen reported. "The 
Serbian advance was finally halted when a Croatian policeman jumped atop the 
truck and detonated grenades he was carrying in what was apparently a 
suicide mission." 
 
        At the end of the uprising's first day, Egon was safe in a camp near 
Glina. But a friend of his - Susanne Kupke, a young correspondent for the 
German Press Agency wire service - had not yet returned. 
 
        And so, with a radio reporter colleague behind the wheel, Egon got 
in a car clearly marked PRESS and went looking for her. 
 
        On a deserted road, they came upon some stranded cars, doors flung 
open. Egon's friend brought the car to a stop about the same time both 
journalists realized they were facing an ambush. Serb gunmen emerged with a 
hail of gunfire. They shot through the headlights, the surest way into a 
car's interior. Egon was shot in the abdomen. The radio reporter, unharmed, 
threw the car into reverse and managed an escape. He drove to the hospital 
in Sisak, where Egon was pronounced dead. He had bled to death. 
 
        Egon never knew that the young reporter he sought was safe, taken in 
by a peasant family. For more than a day, she remained huddled in the dark 
of their home, windows shuttered, conversations in whispers. Outside, a 
steady rain of grenades and gunfire was directed at the homes of Croats. 
"Dear God, please help," she heard one woman pray. 
 
        Susanne reported that the gunmen were deliberately firing at 
journalists. The word among the Serbs, who dominated the Yugoslav Army, was 
that reporters favored Croatia. 
 
        Egon is one of 58 journalists killed in the Balkans since 1989, the 
victim of an ethnic conflict that left hundreds of thousands of people dead 
or homeless. 
 
        Today, the man who stoked the nationalist fervor of the Serbs who 
killed him, former Yugoslav president Slobodan Milosevic, faces a war-crimes 
trial at The Hague, Netherlands. He stands accused of crimes against 
humanity - genocide and ethnic cleansing. 
 
        And so today, let me, too, tell the world: 
 
 
It was Johann and William, 
       Victor and Francesco, 
       Gabriel and Gyorgy 
       - and Egon, too - 
       who were killed 
       in the bleeding fields of Slavonia. 
 
 
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» (E) CROATIAN CONNECTION AT VIRGINIA TECH
By Nenad N. Bach | Published 03/1/2002 | Sports | Unrated
 
 
Croatians have a connection at Virginia Tech. First, Dinko Gudelj from Karlovac has been a star tennis player receiving scholarship in the early 1990s. He paved the way for Davor Dupljak, also from Karlovac, who was #1 tennis player at VT for a couple of years. 
 
There are 2 other students on soccer scholarships at VT from Croatia. One is Stanislav Licul who is Ph.D. degree and Toni Visnjic who is a junior. The Croatian Ambassador to the United States Ivan Grdesic was a Fulbright scholar at Virginia Tech about 4 years ago. Also, Virginia Tech is this year sponsoring a fantastic program "Summer Study Abroad" that includes Croatia. http://www.filebox.vt.edu/users/jfritsch/ 
   
Davor Dupljak is Finance major on the Dean's List, a member of the "Big East All-Academic" and the most valuable tennis player of Atlantic 10 
conference. "All this I would not be able to accomplish if I would have not 
been ready to fight and work hard for it." 
 
Born on June 24, '79, 6-foot-4, 210 pounds Davor will graduate in December. "I am planning on going to Graduate school next year." 
 
"Davor is extremely talented. He certainly has a big serve and forehand and his backhand has become a weapon as well. Right now Davor is undefeated and he is playing with so much confidence it is amazing. I would be scared to death if I had to play in right now" says Davor's tennis coach Jim Thompson. 
  
Davor himself feels that "Today, to be successful in professional tennis you have to have a whole army of people supporting you and providing you what is necessary and that is money." 
   
Virginia Tech has an outstanding reputation in sports and on academic level. http://www.hokiesportsinfo.com/mtennis Davor says, "The only reason why I got scholarship at VT is because of my tennis skills and Dinko Gudelj, who made first contacts with the tennis coach here at Virginia Tech. 
 
"It is a great honor and privilege for me to be attending and graduating 
soon from Virginia Tech. Me, coming from the small country like Croatia and now I'm finishing something that is going to determine my whole future. 
 
"Beside tennis and school, if I have some free time I really like to go 
out, to meet other people, girls mostly and to have lots of fun. I also like to play basketball." 
 
In the best of Croatian and American tradition, Davor also found the time to volunteer by translating some private and personal letters for an American woman, Diana Gabriel, who was adopted only to discover her roots from Croatia. 
 
"My biggest accomplishment is to be here in the United States, to be 
graduating from a good and well know University and to be a part of Virginia Tech tennis team. Through these past 4 years I learned how 
everything and anything is possible if you really want it and if you are 
willing to put time and effort into it. Nothing is for free. 
 
"The scariest thing that happened to me was the whole 5 years war period in 
Croatia. I was practicing tennis and suddenly we were attacked in Karlovac by Serbs from Krajina. There was an explosion about 100 feet 
away from me. I thought I was going to die! For next 
few hours I was not able to speak. That was one of the worse experiences I 
ever had." Davor's father served as a soldier on a front line defending their hometown Karlovac. 
 
 
"My biggest role model in tennis is Pete Sampras. And I like Goran Ivanisevic a lot. At Wimbledon, when Rafter missed that last shot, I was the happiest man alive! I started crying and then I finally realized how actually Goran has a strong impact on me. 
  
"I am spending my summers teaching and playing tennis either here in the 
US, in Croatia or in Germany. I am trying to make some money, so I can help out my parents. But also I like to party a lot and I can tell you one thing, there is no better place in the world than Croatia in the summer time. Croatian coast is really a place to be. No wonder Croatia is called "A small country for a great holiday". 
 
"I would really like to go to the Graduate school, but that will be only possible if I will be able to get some kind of scholarship or aid because otherwise I will not be able to pay for it. For example I would not be able to be here in the US, if I did not get this tennis scholarship, because I would not 
have that much money. 
 
 
"My parents in Croatia are trying their best to help me out, and it is not very easy for them. They work every day from 4 in the morning until 2 or 3 in the afternoon, seven days a week, just to be able to send me some 
money when I need it. Every day is getting harder and harder for them. 
 
"Here at Virginia Tech, I am really grateful to two people who helped me a lot. Lois Berg, my athletic advisor helped me so much, especially first two years when I came. Whenever I had a problem, she was always there for me. Also, my coach, Jim Thompson has really gone out of his way, over and beyond his line of duty, to help me out. He is a great person on and off the court. 
 
"Janica Kostelic is definitely representing Croatia as no one else these days. 
Her success is huge and I wish her luck in further competitions. 
 
  
"Croatian Economy? That is a tough one! We all know how Croatia was 
in the war for 5 years. But now every day is worse and worse. People work and they don't get paid. Something is wrong and we definitely all have to ask 
ourselves this question. People in power are only interested for their wellbeing and not for the wellbeing of others. Regular people are the ones that have to vote and elect people with more skills, knowledge and connections to be able to interact with the whole world. 
We have to open our market to foreign companies to invest. We have to give them good deals. But the problem in Croatia is whoever invests something, in less than few years goes bankrupt! Why is this happening and where is all that money? No one will help us unless we help ourselves. We have to stop be the smartest ones and we have to listen to other ideas and to let other countries in to invest in our capital. As soon as that happens economy will improve, we will have new companies in Croatia. That means we'll have more money, our currency will automatically go up and demand for goods will go up, our tourism will grow incredibly and finally we'll become a part of the European union. It is only up to Croatian people to decide when!" 
 
 
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» (H) Kosta Angeli Radovani
By Nenad N. Bach | Published 03/1/2002 | In Memoriam | Unrated
 
Kipar cije je djelo zalog modernosti 
Za modernu hrvatsku skulpturu Kosta Angeli Radovani postao je 
zalog i jamstvo one stvaralacke etike koja se hrani nacelom: 
skulptura je prostor i forma, autor je trajanje i povijest 
 
ZAGREB, 28. veljace - Jedan od najvecih kipara 20. stoljeca 
Kosta Angeli Radovani umro je u Zagrebu 27. veljace u 86. 
godini. Smrcu akademika Radovanija, Hrvatska akademija 
znanosti i umjetnosti i Razred za likovne umjetnosti ostali su 
bez svog istaknutog clana, stoji u priopcenju HAZU. 
Kosta Angeli Radovani rodjen je 6. listopada 1916. u Londonu. 
Osnovnu skolu i II. klasicnu gimnaziju polazio je u Zagrebu. 
Zavrsio je 1938. Akademiju likovnih umjetnosti Brera u Milanu 
(prof. Francesco Messina) i specijalke za kiparstvo i grafiku 
na Akademiji za likovnu umjetnost u Zagrebu (prof. Frano 
Krsinic i prof. Tomislav Krizman). Angeli Radovani osniva 
1950. katedru kiparstva na Akademiji primijenjenih umjetnosti 
u Zagrebu gdje radi do njezina zatvaranja 1955. godine. 
Izabran je 1977. za redovitog profesora kiparskog odjela na 
Fakultetu likovnih umjetnosti u Sarajevu, gdje radi do 1987. 
Djeluje kao profesor na poziv na Medjunarodnoj ljetnoj 
akademiji u Salzburgu 1987., 1988. i 1991. godine. 
Izlagao je 59 puta samostalno u zemlji i inozemstvu (Atena, 
Prag, Tunis, Salzburg, Pordenone), a od 1940. vise od 600 puta 
na skupnim izlozbama od kojih je 50 reprezentativnog 
medjunarodnog ili bijenalskog znacaja. 
Nakladni zavod »Naprijed« izdao mu je mapu grafike 1960. Prvu 
monografiju o njegovu djelu napisao je Danijel Dragojevic 
1961. godine. Zagrebacka Moderna galerija priredila mu je 
monografsku izlozbu 1973. godine i izdala zajedno s Grafickim 
zavodom Hrvatske, monografiju o 40. obljetnici rada 
(1939-1979). Autor monografije je Vladimir Malekovic. Galerije 
»La Sagittaria« u Pordenonu objavila mu je monografiju 
prigodom retrospektivne izlozbe za 50. obljetnicu rada 
(1939-1989), a nakladni zavod »Naprijed« uvrstio mu je cetvrtu 
monografiju 1989. u svoj program (tekst Igor Zidic). Za svoj 
rad je nagradjivan 21 put. Godine 1987. dobio je Nagradu za 
zivotno djelo »Vladimir Nazor«. Matica hrvatska objavila mu je 
1985. godine knjigu eseja »Kip bez grive« (1950-1982). 
Djelo kipara Koste Angeli Radovanija neosporno je jedno do 
najznacajnijih u nasoj likovnoj suvremenosti. Moze posluziti 
kao svojevrstan orijentir izmedju raznih razdoblja i stilskih 
opredjeljenja, ali i kao vrijednosni cin provjere. 
Vjerujuci u temeljite izmjene koje donosi danasnja umjetnost, 
Angeli Radovani nije vjerovao u potrebu potpuna unistenja 
»tradicionalne« forme da bi se na rusevinama omogucio zivot 
novoj formi. Za razliku od svojih radikalnih suvremenika, on 
nije napustao tradiciju, nego ju je radikalno mijenjao. Stoga 
je njegova zagrebacka izlozba ranih pedesetih godina znacila 
onaj istinski »lom« u hrvatskoj skulpturi, premda je Radovani 
jezik modernog kiparenja izlozio na »tradicionalnom« motivu. 
Njegov logican i rijetko dosljedan razvojni put, njegovo 
izbjegavanje svake dopadljivosti i sladunjavosti, u 
interpretaciji ljudskog tijela, koje je bilo i ostaje njegovo 
osnovno vrelo nadahnuca, cistoca njegove skulptorske forme i 
izvanredni instinkt za plasticne odnose i ritmove, osjecaj za 
sinteticnu kiparsku viziju zenskoga tijela svedenog na 
sustinske elemente, gotovo na geometrijske oblike, u kome 
uvijek pulsiraju i drhte zivotni sokovi - samo su neki od 
vidova Radovanijeve umjetnosti, koje su osjetili i kritika i 
publika dajuci mu uvijek visoko mjesto u nasim novijim 
umjetnickim zbivanjima. 
Slicnih je karakteristika i povelik broj portreta. Oni su jos 
ocigledniji dokaz kako se kipar nije mogao zadovoljiti 
ponavljanjem naucenih formula i stilskih konstanti, nego je 
neprekidno trazio novi izazov u izravnoj i konkretnoj 
opservaciji, za kojom bi slijedila uvijek nova oblikovna 
razrada. 
Za modernu hrvatsku skulpturu Kosta Angeli Radovani postao je 
zalog i jamstvo one stvaralacke etike koja se hrani nacelom: 
skulptura je prostor i forma, autor je trajanje i povijest. 
Opus Koste Angelija Radovanija jedna je od najneospornijih 
cinjenica u poratnoj umjetnosti i kulturi, a obiljezivsi epohu 
svojim djelom veliki je zalog nasem vremenu i buducoj 
generaciji.(K. R./H) -- Vjesnik 
 
 
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» (H) Kazalisna predstava "Necessary Target"
By Nenad N. Bach | Published 03/1/2002 | Culture And Arts | Unrated
 
U Manhatnu se otvorila nova kazalisna predstava koja se zove "Necessary Target". Prikazuju se realni i istiniti dogadaji o obiteljima koje su prezivile rat od srpskih napada. Prica se dogada u kampu, negdje u Hrvatskoj, za ljude koji su ostali bez doma u vrijeme srpske okupacije. 
 
Za popust na kartama, zovite telefonski broj (212) 947-8844 promocija code NTTPL64. 
Predstava "Necessary Target" se odrzava kod Variety Arts Theatre 110 Treca Avenija i 14 Ulica. 
 
 
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