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4 SEASONS FOR 3 PIANOS with Matej Mestrovic, Matija Dedic & Hakan Ali Toker
By Nenad N. Bach and Darko Žubrinić | Published  07/5/2017 | Music | Unrated
Matej Mestrovic, distinguished Croatian pianist and composer

Matija Dedić, Matej Meštrović and Hakan A. Toker. Photo by Anto Magzan/Pixell.

Matej Meštrović: Spring (La Primavera) 3 Pianos

Matej Meštrović piano
Matija Dedić piano
Hakan Ali Toker piano


Navona Records proudly presents 4 SEASONS FOR 3 PIANOS, a whirlwind transcription of Vivaldi's masterful string concertos by Croatian pianist and composer Matej Meštrović. Performing with Hakan A. Toker (Istanbul, Turkey) and Matija Dedić (Zagreb, Croatia) on three pianos (and accordion), Meštrović thoroughly reimagines the four concertos, his work exceeding that of a normal transcription. The collection, in such a radical new form, becomes almost a whole new work.

Despite this, Meštrović'€™s version of this piece is, ironically, historically informed in its own way. Vivaldi'€™s Venice was part of a republic that spread from the Italian city, across Dalmatia (present-day Croatia), to the borders of the Ottoman Empire in what is now Bosnia and Herzegovina. Just as this Venice of the past was a crossroads of cultural influences, so is Meštrović's conception of Vivaldi's The Four Seasons. He imbues his piece with flavors of the region, from Romani to Turkish culture. Meštrović even sends Vivaldi farther into the future, bringing The Four Seasons into contact with Mozart'€™s Turkish interests €”Mozart'€™s famous Sonata No. 16 in C even appears in an unexpected detour.

Throughout the re-imagined work, the three performers leave their own distinct touches. In the slow movement of Summer, Meštrović is front and center with a nostalgic waltz. Elsewhere, Toker improvises a whirlwind of virtuosic melody. Dedić transforms the slow movement of Winter into a jazzy meditation. Jazzy elements also surface in the transcription of the famous opening movement of Spring, transforming it into a wild, joyous romp through Vivaldi’s masterful music.



Matej Meštrović is an eclectic and versatile composer, having written a large body of works ranging from chamber and orchestral concert music to music for television, theatre, and film. Meštrović'€™s albums include Zvuci Velebita, Eat Suite (which won a 2014 Independent Music award), and My Face Music Book (which won the 2016 Classical Album of the Year and Runner-Up Overall Album of the Year on

Meštrović is one of the most prominent artists in his native Croatia, holding a City of Zagreb award. At age sixteen, he became the youngest composer ever to have a work performed at the Croatian Days Festival. For two consecutive years, he has presented a work for the opening ceremony of the Dubrovnik Summer Festival, featuring orchestra, double choir, percussion ensemble, and over 200 dancers.

Meštrović is an active pianist. He was an early pioneer of Croatian New Age music, which involved a performance with harpist Georgia Kelly at the Zagreb Music Biennale. Recently, he performed in the opening ceremony of the European University Games in Zagreb. Meštrović also arranges piano parts on the pianist Maksim Mrvica’s albums, and is an active director of documentaries and travel films.

Hakan A. Toker is one of the world's most prominent performers of Turkish music on the piano. He has performed in 27 countries, collaborating with groups as diverse as orchestras and jugglers. He has participated in jazz concerts, musical-comedy shows, and as instrumentalist in music for silent films. In 2013, he was given the "Our Living Treasures" award by the First Mersin Cultural Festival committee.

Jazz pianist Matija Dedić has performed internationally with names such as Alvin Queen and Antonio Sanchez. In July 2002, he performed at France's Montreux Jazz Festival. With the album Octopussy, he received "Best Author"€ and "Best Jazz Newcomer" awards from the Croatian Composers Society.


Formated for CROWN by Darko Žubrinić
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