Dissertation Song and Folklore

Bacic, J. (1970). Ethnogenesis of the People of Bosnia, Columbia.

Baric, L. (1966). Kinship and Community in Yugoslavia, London.

Bonds, M. E. (1988). Hayden's False Recapitulations and the Perception of the Sonata Form in the Eighteenth Century, Harvard.

Brody, A. W. (1983). The Song of Songs in Slavic Written Traditions, Michigan.

Bynum, D. E. (1964). A Taxonomy of Oral Narrative Song: The Isolation and Description of Invariables in Serbo-Croatian Tradition, Harvard.

Coote, M. P. (1969). The Singer's Use of Theme in Composing Oral Narrative Song in the Serbocroatian Tradition., Harvard: 707.

Czerwinski, E. J. (1965). The Contemporary Theater in Poland and its Impact in Other Slavic Countries in the Light of the History and Program of Dialog, Wisconsin.

Dittmar, A. (1984). Traditional Yugoslav Dance in a Changing Society (Social Change, Eastern Europe, Folk Arts), Rutgers: 171.

Dubinskas, F. A. (1983). Performing Slavonian Folklore: The Politics of Reminiscence and Recreating the Past, Stanford: 382.

Dunin, E. (1966). Silent Dances of Dinaric Mountain Area; Analysis of Purpose, Form, and Style of Selected Dances, California, Los Angeles.

Easland-Whitney, P. (1985). Pusno Vreme i Zvoncari: An Analysis of Carnival Behavior in Kastavstina, Croatia, Yugoslavia, California, Santa Barbara.

Edson, P. D. (1975). Folk Music Styles in East Central Europe, Indiana: 276.

Ghezzo, M. E. (1984). Epic Songs of Sixteenth Century Hungary: History and Style, CUNY.

Gibbon, W. B. (1960). Popular Star Names Among the Slavic Speaking Peoples, Pennsylvania.

Gilliland, M. K. (1986). The Maintenance of Family Values in a Yugoslav Town, California, San Diego.

Goldman, K. A. (1978). Formulaic Analysis of Serbo-Croatian Oral Epic Song, Harvard.

Hannaher, W. J. (1969). The Humor of Stevan Sremac, Columbia: 707.

Kolsti, J. S. (1968). The Bilingual Singer: A Study in Albanian and Serbo-Croatian Oral Epic Tradition, Cambridge.

Lazarevic, M. (1977). Yugoslav Contemporary Sculpture, Columbia: 334.

Lockwood, Y. R. (1969). The Functions of Folksong in a Bosnian Village, California, Berkeley: 222.

Mihal, M. (1960). Francesco Luarana, Michigan.

Mitrevski, G. C. (1984). Description of Adaptations of Religions as Folklore Texts: With Examples from Yugoslav Theater and Drama, Ohio State.

Mossman, R. G. (1961). Design Factors in Yugoslavian Folk Tapestries, California, Berkeley: 195.

Petrovic, A. (1977). Ganga, a Form of Traditional Rural SInging in Yugoslavia, Queens University of Belfast.

Schaub, O. W. (1979). Pleasure Fires: Fireworks in the Court Fesitvals in Tialy, Germany and Austria During Baroque, Kent.

Schuller, C. (1970). The Problem of Linkage in Cross-Cultural Societies, Oregon.

Spalatin, I. (1975). Towards A Definition of Naive Art: A Study of Three Yugoslav Painters, Case Western Reserve Universtiy: 173.

Vodanovich, I. M. (1978). The Structure of Roles and Their Ritual in a Yugoslav Community, London.

Vucinich, A. S. (1950). Yugoslav Society: The Tribal Period, Columbia.

Watts, P. K. (1986). Women of the Black Mountain. Hospitality and Social Networks in a Montenegrin Town, Virginia.

Wenzel, M. B. (1968). Ornamental on Tombstones from Medieval Bosnia and Surrounding Regions, London: 703.