|Borivoj Dovniković is recipient of numerous awards at international festivals of animated films. Retrospectives of his films have been shown in about fifty cities throughout the world. He was a member of international juries and selection committees at twenty five festivals, and participated on various forums dealing with animated films, from the USA and Canada to Korea, China and Japan.|
Borivoj Dovniković was born in 1930 in the city of Osijek, Croatia. He is recipient of numerous awards at international festivals of animated films. Retrospectives of his films have been shown in about fifty cities throughout the world. He was a member of international juries and selection committees at twenty five festivals, and participated on various forums dealing with animated films, from the USA and Canada to Korea, China and Japan.
Mr. Dovniković had participated in organizing the World Festival of Animated Films since its beginning in 1972 till 1992.
From 1977 to 1982 he was a member of Executive committee of ASIFA:
Association Internationale du Film d'Animation
(International Animated Film Association)
In the period from 1994 to 2000 Borivoj Dovniković was Secretary General of ASIFA.
He is also the author of the monograph Škola crtanog filma published in Zagreb in 1983, which was translated into several languages.
Regarding the Zagreb School of Animated Film, we also mention a monograph issued in Great Britain:
Holloway, Ronald: "Z" is for Zagreb, London, The Tantivy Press, London 1972
Lost Classics from Zagreb Film DVD & Contest
January 25, 2008 2:03 pm
Last year saw the release of lots of rare animation (Popeye, Lantz cartoons, Oswald, etc.) but perhaps none so rare as a dvd that came out last winter: "Lost Classics from Zagreb Film", a collection of many of the studio’s most experimental and distinctive early shorts, almost none of which have ever been released before. (Full disclosure: I was an unpaid consultant on the set and the dvd follows very closely the lineup of films that I’d suggested.)
There are no words to describe how happy I become when I watch these films. The Zagreb filmmakers were willing to try just about anything, and their films are packed with tons of inventive visual ideas. Sometimes the risks they took paid off handsomely, sometimes they flopped. One can’t help but admire their fearlessness though. They managed to create these films with limited resources, limited budgets and next to no animation training. The animators were self-taught and as a result their timing and the way things move can be utterly bizzare. Concepts like squash-and-stretch were foreign to a lot of these artist so they figured out graphic solutions of their own and came up with some wildly eccentric styles of movement in the process. Thematically, the films tackle a broad range of subject matter from alienation to militarization, topics that were hardly common fare in animated shorts of the time.
There is a downside to the dvd: The prints, which come directly from Zagreb Films, are unrestored and in fairly poor shape. This is doubly a shame because color and design are such an integral part of these films. Nevertheless, these films have never been available on any home video format, and not having any major studio support behind them, don't hold your breath for a restored edition of these films anytime soon. This dvd is the only way you're going to be able to see the following films:
Opening Night (1957)
The distributor, Rembrandt Films, also recently released Dušan Vukotić on DVD, a collection of the works of Zagreb's most famous director. Owning this and the "Lost Classics" dvd will give anybody a solid collection of the studio's early work. The films on the Vukotić dvd are:
Playful Robot (1956)
UPDATE: Thanks to all who entered. The contest is now over. The correct answer was Dušan Vukotić's 1961 short Surogat (also known as Ersatz and The Substitute). The two winners are Scotty Arsenault and Gail Veillette.
And here are a few frame grabs from the animated shorts on the "Lost Classics from Zagreb Film" set:
Formated for CROWN by prof.dr. Darko Žubrinić
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