Svjetlana Kabalin and Sylvan Winds in action again. They will present a program of works for "Winds & Piano" with a distinguished pianist Claude Frank at Weill Recital Hall at Carnegie Hall, 154 West 57th Street, New York City on Wednesday, May 14, 2008 at 8 PM. This will be season finale. Come and support art. |
WEDNESDAY, MAY 14, 2008 at 8:00 PM
The Sylvan Winds
Svjetlana Kabalin, flute; Alexandra Knoll, oboe; Pavel Vinnitsky, clarinet;
Erik Höltje, bassoon; Zohar Schondorf, horn
With Claude Frank, piano
Will present a program of works for “Winds & Piano” at Weill Recital Hall at Carnegie Hall,
Samuel Barber (1910-81) Summer Music, Op. 31
W. A. Mozart (1756-91) Piano Quintet in Eb Major, K. 452
Johannes Brahms (1833-1897) Piano Quartet in G Minor, Op. 25 for wind quintet & piano (arr. by Samuel Baron)
Tickets $30 & 25 for adults / $15 for students & seniors.
The program will be followed by a post-concert fund-raising reception in the
For reservations & program information, please call 212 / 222-3569
The Sylvan Winds are particularly pleased to welcome back the distinguished pianist Claude Frank who has collaborated with them on several previous occasions. Born in
Mr. Frank has participated in music festivals all over the world, including his enduring involvement with the Mostly Mozart Festival at
Samuel Barber, (1910–1981) Commissioned by the Chamber Music Society of Detroit, Summer Music was premičred on March 20, 1956 by the first-desk players of the Detroit Symphony Orchestra. A regular in the Sylvan Winds repertory since 1980, they have repeated it in '85, '93, '98 and twice in ’99: on their own series as well as at the Sylvia & Danny Kaye Playhouse of Hunter College as part of its Samuel Barber Festival.
Wolfgang Amadeus Mozart, (1756-1791) Completed a day or two before the work's premičre, as was often the case with Mozart, on a 1784 April Fool's Day concert at the Court Theater in Vienna, he considered it his best work up to that point. The program itself was a mammoth affair: there were three symphonies, interspersed with a piano concerto, a set of piano improvisations, three arias - not by Mozart - and this quintet. Its composition was surrounded by three piano concertos, K 450, 451 and 453 (Nos. 15-17 of the total 27 in his piano-concerto canon), one of which was performed on the aforementioned program. This chronological proximity of their creation may account for the exquisite wind instrument writing in Mozart's later piano concertos.
Johannes Brahms (1833-1897) His Piano Quartet No. 1 in G minor op.25 was unabashedly innovative and long, lasting nearly three-quarters of an hour in performance. It is presented on this occasion with the original string trio transcribed for wind quintet by the distinguished flutist Samuel Baron (1925 - 97). As a founding member of the New York Woodwind Quintet he made many arrangements for the group, with particularly fine and idiomatic transcriptions of string quartets. In this particular work, he felt that the massive scale of the work not only invited but almost needed the richer sound of five winds instruments to match the sonority of the piano. The fiery rondo-finale ‘alla Zingarese’ constitutes the earliest appearance of the style hongrois (and one of the most successful) in Brahms's chamber music.
Programs subject to change.
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Hailed by the New York Times for “its venturesome programming and stylishness of performance,” the ensemble has performed throughout the tri-state area, and has toured both domestically and abroad. The Sylvan Winds has established a reputation as one of the city’s most versatile chamber music ensembles and has received many honors, including an invitation to perform at the New York Governor’s Arts Awards. Dedicated to exploring the entire body of literature for wind instruments, the ensemble has consistently earned audience and critical acclaim. Of its spring ‘99 concert at